Jaan-E-Mann adheres to every Bollywood stereotype and yet deviates from convention by ridiculing the cliche's very identity. Something Kunder's better half Farah Khan achieved with amazing self-assurance in Main Hoon Na. But unlike Main Hoon Na, which was far sleeker, Jaan-E-Mann doesn't push the sentimentality button too much. Some of it is outright crazy. It never makes any sense. It doesn't want to. The 'I yam what I yam' philosophy of Popeye depicted in Jaan-E-Mann's attitude evokes unconstrained laughs and mirth.
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